The exhibition creates an opulent tableau that offers uniquely rich and complex insights into the fascination of Vienna circa 1900 and the atmosphere of this vibrant period. Comprising some 1,300 items displayed across three floors, this semi-permanent installation presents the splendour and wealth of the artistic and intellectual achievements of this era through masterpieces from the Leopold Museum and notable permanent loan works from Austrian and international collections.

This coming Sunday, March 27th, the Museum will be holding an "Art on Sunday" day, with a range of programming related to the exhibition. The installation has been opened since February 5th, but because of COVID protocols the opening celebrations could not be held until now.

The exhibition is presenting the work that made Alphonse Mucha famous: posters and illustrations, and decorative art designs, all set against the vibrant background of fin-de-siècle Paris. Late nineteenth-century costumes recall the Parisians strolling along the boulevards, and colourful glass from the same period by Émile Gallé and Moser & Sohne show the close relationship between Mucha's work and Art Nouveau. The exhibition also considers the rediscovery of Mucha's work in the 1960s, and how his style resonated in popular culture, flower power and Woodstock, as illustrated in the designs for albums covers and concert posters for bands like Martha & The Vandellas, The Rollings Stones and Pink Floyd. Kunstmuseum Den Haag will show the circumstances in which Alphonse Mucha became, and remains, world-famous.

On the occasion of his 150th birthday, the exhibition JOSEF HOFFMANN: Progress Through Beauty comprehensively documents for the first time the entire oeuvre of the architect, designer, teacher, and exhibition organizer Josef Hoffmann (1870-1956), one of the luminaries of Viennese Modernism and the international life reform movement. With his indefatigable design work and teaching, Hoffmann cultivated an exemplary model of modern lifestyles based on a construction and product culture that was both shaped by craft and artistically ambitious. The show presents a cross section of Hoffmann's revolutionary design and his most important buildings, including the Stoclet House in Brussels (1905-1911) and the Purkersdorf Sanatorium (1904-1905).

The Jugendstilforum in Bad Nauheim opens its doors to the public with an exhibition devoted to ceramics.

Among the everyday objects produced by the Jugendstil, ceramics were of particular importance, as they could be produced cheaply and in series. Many people could afford them, and so the new Jugendstil ideas of form and decoration spread, especially with this material, which is the focus of this first exhibition.

"Gaudí" is an exhibition organized by the National Art Museum of Catalonia and the Musée d'Orsay. It is a large-format presentation  that brings together more than 650 architectural objects, design and furniture, works of art, documentation, plans and photographs. Twenty years after the celebration of the Gaudí Year, this exhibition moves away from the clichés and proposes a complete review of Gaudí's career.

The exhibition has been exextended until 20 february 2022!

The last female portrait by Vienna's iconic painter, Gustav Klimt's Lady with Fan gazes seductively and with remarkable self-confidence into the distance. This vibrant painting is on show in Vienna again after more than a century. It will be presented with other examples of Klimt's last works in a special exhibition at the Upper Belvedere.

The Museum of Modernisme in Barcelona (MMBCN) is reopening its doors for the exhibition "Paris-Barcelona", a large show focusing on nine outstanding women in the artistic scene of the late 19th and early 20th centuries.

With more than 300 works, most of them pictorial, as well as sculptures, furniture and decorative arts on display, the exhibition offers a new vision of the relationship between the two capitals: Paris and Barcelona. The tour begins with models such as Madeleine de Boisguillaume, Stéphanie Nantas, Clo-clo, Júlia Peraire and Germaine Gargallo and concludes with the female vision of artists such as Suzanne Valadon, Georgette Agutte, Lucie Cousturier and Olga Sacharoff. It nonetheless attempts to create a dialogue between the models and muses of the day and the artists who immortalised them, such as Ramon Casas, Santiago Rusiñol, Toulouse-Lautrec or Alphonse Mucha.

The exhibition features works from the National Museum of Art of Catalonia, Cau Ferrat in Sitges, Víctor Balaguer Library-Museum, AMYC Foundation and other private collections.

The insllation has been organised to commemorate the 50th anniversary of the gallery, the cultural enterprise of the Pinós-Guirao family.

The presention is accompanied by a publication that reviews the presence of women in the artistic and cultural environment at the turn of the century. The articles highlight the lives of these women, who in most cases have been silenced or little explained.