The presentation explores the life and work of Hector Guimard (1867-1942), the French architect and designer whose name is synonymous with the French Art Nouveau movement. Bringing together furniture and design objects including jewelry, metalwork, ceramics, drawings, and textiles from collections worldwide, this is the first major American museum exhibition devoted to Guimard since 1970.

The exhibition is co-organized by the Richard H. Driehaus Museum and Cooper Hewitt, Smithsonian Design Museum.

This exhibition showcases commissioned floral design installations from local floral designers in dialogue with work by Louis Comfort Tiffany and Tiffany Studios. The show is curated by Elizabeth Cronin, the owner of Chicago's Asrai Garden-and widely known as one of the judges on HBO Max's competition program, "Full Bloom"-who has selected both the participating floral designers and the Tiffany objects on view.

As part of "Art Nouveau Brussels 2023'", the King Baudouin Foundation will be exhibiting a series of art nouveau masterpieces from its collection - from priceless works of art to a variety of everyday objects. Visit this free exhibition to discover the special stories and interesting anecdotes behind each of the objects.

The installation aims to free Victor Horta of his Art Nouveau label and offer other readings of his work, such as his links with eclecticism and Art Deco. It also focusses on the major role of his masters: architects Alphonse Balat, Eugène Viollet-le-Duc and Joseph Poelaert. The show hopes to liberate Horta's work from all preconceived ideas, painting a portrait of the architect that takes into account all of his contradictions.

The Autrique House presents the work and life of Privat Livemont, an emblematic Art Nouveau artist from Brussels. Working as a versatile artist, a craftsman, and a teacher at the Industrial Academy in Schaerbeek, Livemont seems to have been a tireless worker. He is best known for his posters and the sgraffiti on many facades in Brussels.

The exhibition tells the story of Edvard Munch and Berlin illustrated by about 80 works: Paintings, prints and photographs.With the radical modernity of his paintings, Edvard Munch (1863-1944) challenged his contemporaries, especially in Berlin, where the Norwegian symbolist exerted big influence in the art scene at the turn of the century.

The show features highlights from the museum's extensive collection of Austrian art from the period 1890 to 1940. Neue Galerie New York is the result of the close thirty-year friendship shared between art dealer and museum exhibition organizer Serge Sabarsky and Ronald S. Lauder, the museum's co-founder and President. They spent countless hours together discussing Gustav Klimt, Egon Schiele, and Oskar Kokoschka. In the decade before Sabarsky died, they dreamed of creating a museum of Austrian and German art, and the Neue Galerie New York is the outcome of this shared passion.

After extensive research, Gustav Klimt's portrait of Adele Bloch-Bauer II, 1912-1913, is presented in a special exhibition.

Adele Bloch-Bauer II is back in Vienna to undergo scientific analysis and restoration in the Belvedere's workshops. Until February 2024, this occasion presents a unique opportunity to witness this outstanding privately owned late work by Gustav Klimt in its original form and gain insight into the artist's painting technique, thanks to current research findings.

With this long-overdue, large-scale exhibition, the Leopold Museum intends to shed new light on the eminent and ground-breaking oeuvre of Max Oppenheimer, which has unjustly fallen into oblivion, and to explore the wealth of his works' motifs. Furthermore, the presentation looks at the role of the artist and his networks through his contemporaries Oskar Kokoschka and Egon Schiele.

This exclusive exhibition of René Lalique drawings also includes a selection of René Lalique jewels.

A La Vieille Russie's collection of Fabergé drawings are also on view, alongside a selection of corresponding pieces. Both Lalique and Fabergé exhibited at the 1900 Exposition Universelle in Paris, each receiving top honours.

Naturally flowing lines, ingeniously curved shapes and an exuberant wealth of floral, figurative and abstract ornamentation - these are the distinguishing characteristics of Art Nouveau, the French and Belgian version of Jugendstil. France and Belgium played a major role in the upheaval of European art and design around 1900, which paved the way for modernism. Paris in particular exerted an enormous magnetic attraction: Architects such as Hector Guimard and Eugène Gaillard worked here; poster designers such as Henri de Toulouse-Lautrec and Alfons Mucha revolutionized graphic design.

To mark the 50th anniversary of the Bröhan-Museum, this extensive exhibition is dedicated to one of the museum's focal points - French and Belgian Art Nouveau. With great playfulness and especially floral ornamentation, the Art Nouveau artists in cities such as Brussels, Paris and Nancy created a new design for the Belle Époque, which soon captivated the whole of Europe. With outstanding pieces from national and international private collections, the Bröhan-Museum is bringing the glory of this era back to life. Some of the items on loan are being shown to the public for the first time.

"Stars, Feathers, Tassels: The Wiener Werkstätte Artist Felice Rix-Ueno (1893-1967)" is a solo exhibition organized by the MAK Museum to commemorate the 130th birth of the artist. The insinstallation, with 200 arworks, presents a broad cross section of her oeuvre.

With her highly poetic, independent style, Felice Rix-Ueno established herself as one of the most remarkable artists of the Wiener Werkstätte (WW). She produced hundreds of design drawings for the WW, primarily for fabric patterns but also for wallpapers, embroideries, works in enamel, fashion and home accessories, toys, and commercial graphic design. In her second home of Japan, she found success as a university professor and founded her own design institute.

This exhibition is the first comprehensive presentation of Ukrainian art from the first half of the twentieth century to be shown outside Ukraine. It relates this tempestuous chapter of Ukrainian cultural history and tells of how modern artists tried to reinforce Ukrainian sovereignty and independence and establish a recognizable national style. The Belvedere is placing a focus on art from around 1900 to highlight connections to the development of Jugendstil.